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Bruckner. Symphony No. 8. Carl Schuricht. NDR Symphony Orchestra Hamburg. 1955. Grandes Marches

Dear friends, now let a small sample of great director, frankly little attention in this blog, a musical quality, technical and human arrogance. A director of form and temperament very similar to another major, Knappertsbusch, musically rich, with ample freedoms granted to the music performed with a sensational achievement and emotional sound. On this occasion we left a beautiful approach to Bruckner's Eighth Symphony directing an orchestra of prestige and hearth in the master's work Bruckner, NDR Sinfonieorchester.

Approximation by Schuricht and musicians of the NDR is far from any point in the search for technical perfection expressed (not that this is not an exceptional performance on the technical and interpretative that in fact it is like all Schuricht recordings that had among its features the detailed planning of each project) is an approximation of the heart, directly to musical and emotional senses, free, dynamic at the highest level of fantasy, search for hidden emotions in the score, its intrinsic beauty. The first two movements of the work has its fair approximation by Schuricht, dynamic, clearly stated, rhythmic, deep and playful. His interpretation of the Adagio is stunningly beautiful, masterfully conducted stinging feeling in the heart as you assimilate, for your listening, the great beauty that contains and transmitted. The implementation of the final movement is a perfect example of energy, emotion, technique, clear expository development, impulse, one of the most beautiful I've ever heard alongside those of Jochum.

NDR Orchestra of Hamburg, a major German orchestras founded at the end of World War II in Hamburg, responds faithfully to the needs raised by Schuricht and their way of seeking beauty of the work. Orchestra is a tradition in the interpretation of the great German repertoire and Bruckner have one of their most popular composers. Their precious metals and ropes are the solo musical parts sound really nice. However, what attracts me to acting is the result of a whole, the great communion between all members of the orchestra and the director, the perfect form of the transition and as sensational as to bring continuity Music, an amazing dynamic, dynamism sensational, overwhelming energy. In short, sensational. The recording is a live footage taken on 23 and 24 October 1955 auqneue on this CD and other issues and put a date stamp in 1960, a date that is not well proven in various discographies consulted.

I hope you enjoy this interpretation of the magnificent Symphony No. 8 in Bruckner. I think it's worth. Serve as a small homenje one of the great directors of the twentieth century, admired even by the very Celibidache, and kept their energy and vitality to the end of his days.